The new edition of the Bret Easton Elli cult classic features art by David Hughes and the original introduction by 'Trainspotting' author Irvine Welsh ...
Arty Froushan’s Patrick Bateman sashays out on to the glossy black floor of the Almeida stage, a legend in his own living ...
Bret Easton Ellis’s satire of Wall Street yuppies in the 1980s returns to the Almeida in an all-singing, all-dancing, ...
Duncan Sheik was an undergraduate at Brown University in Rhode Island when he first read Bret Easton Ellis’s novel American ...
Rupert Goold ends his laudable 13-year tenure at the Almeida the same way he began it – with Roberto Aguirre-Sacasa’s musical ...
Make no mistake, the writing is dated and it’s far from being a masterpiece, but the production does something that’s so specifically disturbing that it’s difficult to ignore. Bateman’s raison d’être ...
And return it now has: Rupert Goold’s last directorial offering before he leaves the venue he has run with eye-watering success. It feels apt to end with the very show he started with, macabre ...
A secretary (Janet Leigh) who meets her grisly fate behind a semi-opaque shower curtain, a seemingly gentle motel proprietor (Anthony Perkins) whose relationship with his mother is conflicted at best: ...